![]() ![]() We like to keep you informed during, and after, the sales process by regularly sending order update emails. We pride ourselves on our reputation for high quality customer service and we are always happy to provide support to our customers who need assistance with choosing products or require after sales help. Railwayscenics is a family run business, and since 2008 we have built an enviable reputation for providing a first class service, and a range of affordable, high quality products, used by hobbyists and modellers. So why should you buy from Railwayscenics? At no time do we ever provide your account contact or payment information to any third-party vendor, associate or service provider unless absolutely necessary in order to complete your transaction and order.įull details of our privacy policy can be found on our Privacy Policy page. We respect your privacy and appreciate your business. Ideally once we have answered your query, we destroy or delete any information you give us. ![]() This is to comply with UK government tax rules and regulations.Īny information you give us when making an enquiry about our products or services is only kept as long as we need it. ![]() The information that we are given when you place an order is usually kept for 6 years from the end of the financial year that you placed the order. The same information helps us personalise, and continually improve, your shopping experience at Railwayscenics. During the registration and checkout process we ask for the minimum of information from you which helps us offer the best service and delivery of our products to you. Railwayscenics are committed to safeguarding the privacy of our website visitors. Royal mail delivery times will start from when this email is sent, and courier delivery times will start when the courier collects the parcels from the drop off point and initially update the status of the tracking.įull UK shipping terms can be found on our UK shipping page and International shipping terms can be found at our International shipping page. Any tracking information will also be included in the email. Once your items have been posted we will send a confirmation email to your registered email address. Signatures will be required on some delivery options but this is mentioned in the checkout system.Īll items are stocked in the UK and will be shipped from the UK. We offer a wide range of delivery options from Royal Mail, and a Courier. We do not post items out on weekends or holidays. Working days are Monday, Tuesday, Wednesday, Thursday and Friday. We believe that this is the fairest way to calculate postage and packaging costs. ![]() Therefore as you add or remove products from your basket, the delivery charge and the delivery methods available will automatically update to those that are available. In any event, all orders will be posted within 5 working days and delivery should be completed within 30 days.Īll of our shipping costs are calculated based on your basket content weight and the basket total value including any taxes. During busy periods there may be a delay of a day or two to these times. Where this is not possible then items will be posted the following working day. Therefore, orders placed before 09-00am on a working day, will usually be packed and posted that day where possible. Here at Railwayscenics we believe that most modellers want their items quickly. We cannot advise how much these charges will be but will generally be charged at the declared value of the order at the counties tax rate. Most postal carriers will also charge an additional handling charge for this service. You can also buy a clip with a barrel jack for plugging directly into the Arduino’s barrel jack (shown above)īuy a 9V battery clip with a barrel jack connector from Amazon, Adafruit or SparkFun.īuy a 9V battery clip with leads from Newark.Please be aware that there may be import duties/taxes to pay on non UK orders before the carrier will deliver the parcel. Use one with leads to connect your battery directly to a breadboard or the VIN pin on the Arduino. Use a 9V battery clip to easily connect your 9V battery to your Arduino. ![]()
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![]() ![]() Keep in mind that this is only a theory based on the game files.I don't know who aggree but am i right in assuming ruby sanctum 10man item level will be 270? There was no hardmode for naxx, however following the pattern naxx 213 item level on normal mode the next raid uldar 10man should have more item level than 25man naxx. Assuming that you won't be able to activate the heroic mode on the mini-bosses, these skills are most likely used by Halion. There isn't any way to confirm that before Patch 3.3.5 is deployed on live or PTR servers but they seem to be the only skills with hard mode versions. These abilities are probably used by Halion. ![]() Eyes of Twilight – Each time your direct healing spells heal a target you cause the target of your heal to heal themselves and friends within 10 yards for 402 each sec for 6 sec.Eyes of Twilight – Each time your direct healing spells heal a target you cause the target of your heal to heal themselves and friends within 10 yards for 356 each sec for 6 sec.Cannot occur more than once every 30 sec. ![]()
![]() ![]() Static inline void lv_anim_set_path ( lv_anim_t * a, const lv_anim_path_t * path ) ¶ The variable to animate can be stored in the animation's user_sata Parameters This function might be used when LVGL is binded to other languages because it's more consistent to have lv_anim_t * as first parameter. Similar to lv_anim_set_exec_cb but lv_anim_custom_exec_cb_t receives lv_anim_t * as its first parameter instead of void *. Static inline void lv_anim_set_custom_exec_cb ( lv_anim_t * a, lv_anim_custom_exec_cb_t exec_cb ) ¶ Set the start and end values of an animation Parameters Static inline void lv_anim_set_values ( lv_anim_t * a, lv_anim_value_t start, lv_anim_value_t end ) ¶ Set a delay before starting the animation Parametersĭelay - delay before the animation in milliseconds Static inline void lv_anim_set_delay ( lv_anim_t * a, uint32_t delay ) ¶ Set the duration of an animation Parametersĭuration - duration of the animation in milliseconds Static inline void lv_anim_set_time ( lv_anim_t * a, uint32_t duration ) ¶ Static inline void lv_anim_set_exec_cb ( lv_anim_t * a, lv_anim_exec_xcb_t exec_cb ) ¶Įxec_cb - a function to execute during animation LittelvGL's built-in functions can be used. E.g.: lv_anim_t a lv_anim_init(&a) lv_anim_set_.(&a) ParametersĪ - pointer to an lv_anim_t variable to initialize static inline void lv_anim_set_var ( lv_anim_t * a, void * var ) ¶Ī - pointer to an initialized lv_anim_t variable ![]() the animation module void lv_anim_init ( lv_anim_t * a ) ¶ typedef void ( * lv_anim_ready_cb_t ) ( struct _lv_anim_t * ) ¶Ĭallback to call when the animation is ready typedef void ( * lv_anim_start_cb_t ) ( struct _lv_anim_t * ) ¶Ĭallback to call when the animation really stars (considering delay) typedef struct _lv_anim_t lv_anim_t ¶įunctions void _lv_anim_core_init ( void ) ¶ Might be used by binding generator functions. It's more consistent but less convenient. Same as lv_anim_exec_xcb_t but receives lv_anim_t * as the first parameter. Compatible with lv_xxx_set_yyy(obj, value) functions The x in _xcb_t means its not a fully generic prototype because it doesn't receive lv_anim_t * as its first argument typedef void ( * lv_anim_custom_exec_cb_t ) ( struct _lv_anim_t *, lv_anim_value_t ) ¶ First parameter is the variable to animate. Generic prototype of "animator" functions. Typedef void ( * lv_anim_exec_xcb_t ) ( void *, lv_anim_value_t ) ¶ Get the current value during an animation typedef struct _lv_anim_path_t lv_anim_path_t ¶ Type of the animated value typedef lv_anim_value_t ( * lv_anim_path_cb_t ) ( const struct _lv_anim_path_t *, const struct _lv_anim_t * ) ¶ Typedefs typedef uint8_t lv_anim_enable_t ¶ Therefore lv_anim_start() will delete the already existing variable-function animations. However, only one animation can exist with a given variable and function pair. You can apply multiple different animations on the same variable at the same time.įor example, animate the x and y coordinates with lv_obj_set_x and lv_obj_set_y. */ lv_anim_set_early_apply ( & a, true / false ) /* START THE ANIMATION *-*/ lv_anim_start ( & a ) /*Start the animation*/ Default is 0 (disabled) */ lv_anim_set_repeat_delay ( & a, wait_time ) /*true (default): apply the start vale immediately, false: apply start vale after delay when then anim. LV_ANIM_REPEAT_INFINIT for infinite repetition*/ lv_anim_set_repeat_count ( & a, wait_time ) /*Delay before repeat. Default is 0 (disabled) */ lv_anim_set_playback_delay ( & a, wait_time ) /*Number of repetitions. Default is 0 (disabled) */ lv_anim_set_playback_time ( & a, wait_time ) /*Delay before playback. Default is linear*/ lv_anim_set_path ( & a, & path ) /*Set a callback to call when animation is ready.*/ lv_anim_set_ready_cb ( & a, ready_cb ) /*Set a callback to call when animation is started (after delay).*/ lv_anim_set_start_cb ( & a, start_cb ) /*Play the animation backward too with this duration. 0, 150*/ lv_anim_set_values ( & a, start, end ) /* OPTIONAL SETTINGS *-*/ /*Time to wait before starting the animation */ lv_anim_set_delay ( & a, delay ) /*Set path (curve). * INITIALIZE AN ANIMATION *-*/ lv_anim_t a lv_anim_init ( & a ) /* MANDATORY SETTINGS *-*/ /*Set the "animator" function*/ lv_anim_set_exec_cb ( & a, ( lv_anim_exec_xcb_t ) lv_obj_set_x ) /*Set the variable to animate*/ lv_anim_set_var ( & a, obj ) /*Length of the animation */ lv_anim_set_time ( & a, duration ) /*Set start and end values. ![]() ![]() Although, if you both know the code, this could just result in a registration tug of war. In theory, if you mislay your Activation key packaging, someone else could find it and register the key onto further devices. That said, it is also possible to lose the Activation key, if you don’t make a note of the code and lose the pack it arrived in. One of the obvious drawbacks to the dongle is how easily something so small can be lost and although they are robust, it is possible to damage them. Deactivated machines will be unable to use Resolve Studio when they next connect to the internet. ![]() You can register the Activation Key to a third device – doing this simply deactivates the license from the two previous machines, then one can be reactivated. without needing to register the additional machine each time. You can have the key registered to two machines, allowing you to chop and change between a laptop and an edit suite etc. BlackMagic have thought about this with the Activation key though. The dongle could be the most convenient, if you will need to work on multiple machines, as you can simply take it with you wherever you go and plug it into any number of machines with Resolve Studio installed. The Activation Key can still be suitable in such an environment, which I cover in next section. ![]() ![]() Updating to new versions of resolve will still require a temporary connection to the internet or for the software to be transferred from a portable hard drive. The dongle gives you the ability to move your license around multiple machines, provided they have Davinci Resolve Studio installed. The dongle version can be the only option for many high profile productions which are likely to have security measures requiring an ‘air gap’ to be maintained, at all times, between footage and any connection to the internet. – Flip between two devices without needing to take a dongle with you. ![]() ![]() ![]() ![]() Price: Free for 30GB data traffic/month, $9.9 for 150GB data traffic/month, $119.9 for unlimited data traffic/year. It provides you data transfer, data sync, and upload files from links, torrents, and magnets to your clouds. MultCloud is one of our favorite multi cloud storage managers that enables you to get a single file or whole folders migration to another account or a different cloud drive effectively. Supported storage services: Google Drive, Amazon Cloud Drive, Microsoft OneNote, Box, Dropbox, Yandex, etc. Pros: Great integration with G Suite apps, replicating data against data loss, file sharing across multiple platforms, compatibility with multiple cloud apps. And it offers real-time data backup to your cloud. This multi cloud storage manager offers you to select what you want to sync to clouds after you connect your accounts with it. ![]() c loudHQĬloudHQ works with many cloud platforms, such as Dropbox, Google Drive, etc. Operating system: Windows 10 (recommended), Windows 8, Windows 7. Supported storage services: Blob storage, Azure Files, table storage, queue storage, etc. Pros: Work with different data types from services, manage Azure cloud storage resources from Windows/macO/Linux, connect through HTTPS, offline work is available, manage blobs/tables/queues/ files with ease.Ĭons: Need to transfer data from clouds to your Azure storage accounts for management, multiple features make it difficult to use for non-professionals. Price: Depending on the amount and the type of data you store, the price will change. And it’s a great cloud storage file manager where you can edit data on any of your accounts. Azure Storage ExplorerĪzure Storage Explorer, developed by Microsoft, is a GUI application, which allows you to access data stored in various Azure storage accounts, which is used for storing data from multiple platforms. Operating system: Windows XP, Windows 7, Windows 8/8.1, Windows 10, Windows 11, and web. Supported storage services: Dropbox, OneDrive, Google Drive, FTP/SFTP, etc. Pros: Unlimited cloud storage accounts, manage multiple cloud drives with one login, high security with OAuth System and 256-bit AES Encryption, backup PC to cloud automatically, complete control over your data. Price: Back up 50GB of data to public clouds per month for free. Its restoring feature makes data restoration from clouds to local space an easy task after you finish backup tasks. It makes managing multiple cloud storage accounts simple, and it enables you to get PC automatic backup according to your needs.Īnd it supports backing up diverse types of items like photos, videos, documents, PDFs, and so forth. Let's take a look now ( They are listed in no particular order).ĬBackup, as a free multiple cloud storage manager, allows you to migrate files between cloud accounts or transfer data from one service to another. But they excel in data security and privacy. The following is a list of the top 5 multiple cloud storage managers with pros and cons. What Is the Best Cloud Storage Management Service? And, some cloud storage management services can help you manage your files with ease. When you use different cloud storage providers or want to store data to different accounts of one cloud storage service, you can use these cloud storage manager apps to upload data to the cloud without switching different accounts. Why Do You Need Cloud Storage Management Services?Ĭloud storage management tools allow you to manage multiple cloud storage accounts or multiple cloud drives with ease. How to manage these cloud storage service accounts easily and efficiently? We need to rely on cloud storage managers. Nowadays, with the convenience of cloud storage, everyone may have used more than one kind of cloud storage service or could have multiple accounts of some storage service. How do you manage multiple cloud storage accounts? Is there a simpler way? ” However, it is troublesome to manage these accounts by logging in and logging out each time. “I have three Google Drive accounts for storing different types of files, namely movies, photos, and video recordings. How Do You Manage Multiple Cloud Storage? ![]() ![]() ![]() So far no one has disclosed how long the exploit code was in use or how many Hotmail accounts might have been compromised. But the email never gets to my account, not even in Junk. I watched one of those videos, which appeared to show a Hotmail account being compromised in real time. Your password has been reset and a new one has been mailed to you. Numerous youtube videos have come up to demonstrate the proof of concept. All the attacked had to do was to select the “I forgot my Password” and select “Email me a reset link” and start the Tamper Data in firefox and modify the outgoing data. ![]() It involves using a Firefox addon called Tamper Data which allows the the user to intercept the outgoing HTTP request from the browser in real time and modify the data. Method one: Use the Scan to Email Wizard (Windows) software, which is installed in the HP program group for the printer as part of the full printer software installation Method two: Use the HP Embedded Web Server (EWS) to set up the Scan to Email feature Note: Method two can be used for all supported operating systems, including macOS. Step 3: Click the name to expand the set of credentials and click Remove. Step 2: Navigate to User Accounts -> Credential Manager -> Manage your credentials, and locate the set of credentials that has Outlook in the name. The exploit in itself was a very simple one. Step 1: Make sure that you have exited Outlook, and run Control Panel. While many other lost their Facebook and twitter accounts.Īccording to that report, the primary attack vector used a Firefox add-on called Tamper Data: Many users who linked their email account to financial services like Paypal and Liberty Reserve were targeted and the money looted away. The exploit eventually spread like wild fire across the hacking community. All hell broke loose when a member from a very popular hacking forum offered his service that he can hacked “any” email accounts within a minute. Apparently the exploit got leaked to the dark-web hacking forums. The exploit was first discovered by a Hacker from Saudi Arabia who is a member of the popular security forum. ![]() The more detailed timeline puts the Vendor Fix/Patch date one day later:ĭuring at least part of that two-week gap, the vulnerability was widely exploited, one source says.Ī report at notes that in the two weeks between the discovery of the vulnerability and the deployment of a server-side fix, the exploit escaped into the wild: The bulletin says Microsoft fixed the vulnerability on April 20, 2012. An attacker can decode CAPTCHA & send automated values over the MSN Hotmail module. Successful exploitation results in unauthorized MSN or Hotmail account access. A remote attacker can, for example bypass the token protection with values “+++)-“. The token protection only checks if a value is empty then blocks or closes the web session. Remote attackers can bypass the password recovery service to setup a new password and bypass in place protections (token based). The vulnerability allows an attacker to reset the Hotmail/MSN password with attacker chosen values. The bulletin rated the severity as “Critical,” based on this description:Ī critical vulnerability was found in the password reset functionality of Microsoft’s official MSN Hotmail service. ![]() ![]() ![]() Archived from the original on 7 February 2009. "State of the Art: Linux Audio 2008, Part II". "Making Music with Linux Multimedia Studio". ^ "lmms.io/utils.php function read_project".Archived from the original on 9 September 2017. Archived from the original on 18 June 2022. ^ "LMMS – Currently supported languages". OCTOBER 2022 RECORDING: LINK Book Resources: How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success- Julie Lythcott.^ a b "Debian - Details of package lmms in buster".^ Error: Unable to display the reference properly.^ "LMMS Alternatives and Similar Software - ".Gravis Ultrasound (GUS) patches (PatMan).Linux Audio Developer's Simple Plugin API ( LADSPA).Musical Instrument Digital Interface ( MIDI).AudioFileProcessor (AFP) – basic sampler with trimming and looping capabilities.Watsyn – 4-oscillator wavetable synthesizer.TripleOscillator - 3-oscillator synthesizer with 5 modulation modes: MIX, SYNC, PM, FM, and AM.SID – emulator of the Commodore 64 chips.Sf2 Player – a Fluidsynth-based Soundfont player.Monstro – 3-oscillator synthesizer with modulation matrix.Mallets – tuneful percussion synthesizer.FreeBoy – emulator of Game Boy audio processing unit (APU).BitInvader – wavetable-lookup synthesis.LMMS includes a variety of audio plug-ins that can be drag-and-dropped onto instrument tracks in the Song Editor and Beat+Bassline Editor. Automation Editor – move almost any knob or widget over the course of the song.Piano Roll – edit patterns and melodies.FX Mixer – for sending multiple audio inputs through groups of effects and sending them to other mixer channels, infinite channels are supported.Beat+Bassline Editor – for quickly sequencing rhythms.Song Editor – for arranging instruments, samples, groups of notes, automation, and more.Projects can be saved in the compressed MMPZ file format or the uncompressed MMP file format. Īudio can be exported in the Ogg, FLAC, MP3, and WAV file formats. ![]() ![]() It can import Musical Instrument Digital Interface ( MIDI) and Hydrogen files and can read and write customized presets and themes. It can use VST plug-ins on Win32, Win64, or Wine32, though currently the macOS port doesn't support them. LMMS accepts soundfonts and GUS patches, and it supports the Linux Audio Developer's Simple Plugin API ( LADSPA) and LV2 (only master branch, since ). It requires a 1 GHz CPU, 512 MB of RAM and a two-channel sound card. LMMS is available for multiple operating systems, including Linux, OpenBSD, macOS, and Windows. It is free and open source software, written in Qt and released under GPL-2.0-or-later. It allows music to be produced by arranging samples, synthesizing sounds, entering notes via mouse (or other pointing device) or by playing on a MIDI keyboard, and combining the features of trackers and sequencers. LMMS (formerly Linux MultiMedia Studio ) is a digital audio workstation application program. X86 and x86-64 (Linux, macOS, Windows), only Linux: arm64, armel, armhf, mips, mips64el, mipsel, ppc64el, s390x ![]() ![]() You cannot read the room unless you’re in it. ![]() But whether clear or nuanced, the cues for this are invariably situational. One of the greatest unsung human skills is our ability to tell if those around us are aligned with our intentions. To assess these variables, and judge when others can help you and when they could use your help, we rely on cues that range from the obvious, such as when a colleague closes their door, to the subtle, such as how quick they are to make eye contact. When it comes to interacting at work, the variables are how much someone wants to interact at any moment, and who is open to interacting with them - but the principle is the same. It looks at how to find the best pairings of couples, so there are no two people who both prefer each other over their current spouses. Here the mathematical analogy is known as the Stable Marriage Problem, extensions of which earned a Nobel prize in economics in 2012. The ideal is to interact with others as the need arises, but only in proportion to how much we need them and how open they are to being interacted with. Because most organisations are making something new or operating in an uncertain environment, we can hardly predict what we will focus on, much less when we will want to interact. Yet this is also flawed, since we don’t know in advance when the need for interaction will arise. worker interacts whenever and with whomever they want, regardless of the effects.Īt the other extreme is scheduled alternation between focus and interaction: for example, working in the office one day and from home the next. But this is vulnerable to the so-called greedy algorithm, in which everyone makes the locally optimal decision. At one extreme, there is the open plan office, which invites us to do both at the same time. The tricky bit, though, is knowing how to combine focus and interaction. ![]() This is the magic ingredient that makes an organisation more than the sum of its parts. It is interaction with others that adjusts our direction of focus and gets us unstuck by providing a skill or insight we lack. If focus is the engine of an organisation, its rudder is interaction. A fair definition of an organisation, in fact, is a team of people who achieve more together than they would independently. Some problems, though, are too complex for just one person to solve, so you need a team. Whether you’re writing an email, doing a sketch, making a pizza or solving an equation, focus is the engine that drives it. In any company - from a tech start-up to a bank to the physics institute where I work - the primary tool for solving problems is solitary focus. Yet when you analyse what work is, and how it functions, it turns out there is a fundamental reason why office-based work will always have the edge over the remote-working option. To go back in or not to go back in? That, as we emerge from the biggest remote-working experiment in history, is very much the question. ![]() The shorter version of this article appeared in the Daily Telegraph on June 6, 2021. ![]() ![]() Time Out wrote "“When I Grow Up” is a particularly affecting, wistful number that captures kids aching for adulthood, blissfully ignorant of its pains and burdens.". Chicago Tribune said the song was the "most remarkable moment" of the show, "simple", and "gorgeous". New Jersey Newsroom described it as "jubilant". The New York Times noted many adults said they cried during this song, "the show’s most conventionally pretty number". The Hollywood Reporter wrote "Only the most chronic misanthrope could fail to get misty-eyed when these mistreated kids glide back and forth on long rope swings singing “When I Grow Up.” That song’s soul-stirring mix of yearning and escape encapsulates what makes Matilda such a joy." New York wrote "It must be a relief for the young actors - I know it is for the audience - when at the beginning of act two they get to sing a lovely, simple, Beatles-like tune called “When I Grow Up” while flying on rope swings high above the stage". Variety described the song as "the exuberant second act opener", yet noted "it’s impossible to miss the poignancy of inchoate feelings of loss and hope flooding beneath the surface". Grown-ups know that some burdens crush even the broadest shoulders, that there will always be some kind of monster to worry about, and that happy endings are at best only provisional." Critical reception The New York Times writes "Matilda’s schoolmates sing of a time when they’ll be strong enough to carry the burdens forced upon them and to flush out monsters from under the bed. New York Magazine notes that in the song, "they dream of being old enough to handle the burdens that life, with its rude sense of humor, has already given them". Even the adults feel they haven't yet grown up. The song "sees children and adults flying high on swings" as they explain when it will mean to grow up. ![]() He also drew inspiration from a childhood memory in which the adults on his grandfather's farm would fiddle with the padlock to a gate, whereas Minchin went out of his way to hurdle the gate, promising to himself to never open the farm gate. "When I Grow Up" was the first song that Tim Minchin wrote for Matilda, attempting to find a tone for the entire musical, drawing inspiration from his own child. Its music and lyrics were written by Tim Minchin. " When I Grow Up" is a song from the musical Matilda. ![]() ![]() ![]() Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.) Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.) Active Application number US14/455,691 Inventor Richard Anthony Timothy Witherell Matthew Reiter Current Assignee (The listed assignees may be inaccurate. Google Patents Replaceable shroud for an adjustable bedĭownload PDF Info Publication number US9167908B1 US9167908B1 US14/455,691 US201414455691A US9167908B1 US 9167908 B1 US9167908 B1 US 9167908B1 US 201414455691 A US201414455691 A US 201414455691A US 9167908 B1 US9167908 B1 US 9167908B1 Authority US United States Prior art keywords adjustable bed shroud panels extensions stationary base Prior art date Legal status (The legal status is an assumption and is not a legal conclusion. Google Patents US9167908B1 - Replaceable shroud for an adjustable bed These theological arguments were further extended in the 13th century by Thomas Aquinas in his Summa Theologiae based on his analysis of the perfection of Christ, reasoning that Jesus must have embodied every possible human perfection.US9167908B1 - Replaceable shroud for an adjustable bed ![]() For Augustine he was "beautiful as a child, beautiful on earth, beautiful in heaven". The more mainstream, theological perspective, as expressed by Church Fathers Jerome and Augustine of Hippo, argued that Jesus must have been ideally beautiful in face and body. Justin Martyr, Tertullian, and Ambrose considered lack of physical attractiveness in Jesus as fulfilling the messianic prophecy Suffering Servant narrative of Isaiah 53. Jesus's prediction that he would be taunted "Physician, heal yourself" may suggest that Jesus was indeed physically deformed ('crooked' or hunch-backed), as claimed in the early Christian texts listed above. In the apocryphal Lentulus letter, Jesus is described as having had a reddish complexion, matching Muslim traditions in this respect. In a letter of certain bishops to the Emperor Theophilus, Jesus's height is described as three cubits (four feet six), which was also the opinion of Ephrem Syrus (320–379 AD), "God took human form and appeared in the form of three human ells (cubits) he came down to us small of stature." Theodore of Mopsuestia likewise claimed that the appearance of Christ was smaller than that of the children of Jacob (Israel). Wikipedia,’s article on the Race and appearance of Jesus further states:Īs quoted by Eisler,:393–394, 414–415 both Hierosolymitanus and John of Damascus claim that "the Jew Josephus" described Jesus as having had connate eyebrows with goodly eyes and being long-faced, crooked and well-grown. The imprint left by the tortured body of the Crucified One, which attests to the tremendous human capacity for causing pain and death to one's fellow man, stands as an icon of the suffering of the innocent in every age." Shroud of Turin (Wikipedia) In his address at the Turin Cathedral on Sunday (the occasion of the 100th year of Secondo Pia's photograph), he said: "The Shroud is an image of God's love as well as of human sin. She entrusts to scientists the task of continuing to investigate, so that satisfactory answers may be found to the questions connected with this Sheet." Pope John Paul II showed himself to be deeply moved by the image of the Shroud and arranged for public showings in 19. Pope John Paul II stated in 1998 that: "Since it is not a matter of faith, the Church has no specific competence to pronounce on these questions. Reddish-brown stains are found on the cloth, showing various wounds that, according to proponents, correlate with the yellowish image, the pathophysiology of crucifixion, and the Biblical description of the death of Jesus. He is muscular and tall (various experts have measured him as from 1.70 to 1.88 m or 5 ft 7 in to 6 ft 2 in). The image of the "Man of the Shroud" has a beard, moustache, and shoulder-length hair parted in the middle. ![]() The front and back views of the head nearly meet at the middle of the cloth. The two views are aligned along the midplane of the body and point in opposite directions. Its most distinctive characteristic is the faint, brownish image of a front and back view of a naked man with his hands folded across his groin. The cloth is woven in a three-to-one herringbone twill composed of flax fibrils. The shroud is rectangular, measuring approximately 4.4 by 1.1 metres (14 ft 5 in × 3 ft 7 in). One is free to believe it or not.įor those who desire the Shroud of Turin to be a true relic of the Passion and Crucifixion of our Lord Jesus Christ his height was estimated to be about 5’7” to 6’2”. The apocrypha do not speak of the height of Jesus, but like the apocrypha the Shroud of Turin is to be considered an extra biblical source of possible information. ![]() |